Skip to main content

'Thangalaan' Review: Unconventional writing choices, backed up by solid performances and technicalities strike gold in this brave tale of gold and greed.

 


THANGALAAN:

OVERVIEW:

Thangalaan is definitely neither an easy watch, nor an easy film to review at. This is indeed a brave experiment by the whole team.

Stories like Thangalaan deserve to be told and experienced on the big screen. The film is really fresh and unique from the conventional mainstream cinema we are exposed to. Thangalaan easily transitions across various time periods, giving us a sense of watching the evolution of not only the main character, but also the transformation of the world he inhabits. Films with world building has always managed to pique the interest of audiences and this is no such exception.

PERFORMANCES:

Films like these are powered by performances and this is no such exception.It is always a rare bad performance from Chiyaan and he gives this character a personality, with the way he walks, he speaks, he reacts, and the way he fights. Truly a great performance. Not to forget mentioning the great characters of Parvathy, Malavika, Pasupathy and even the secondary characters like the couple, the son of Thangalaan and the translator guy.

TECHNICALITIES:

This is technically a new peak. The dusted, sandy frames of the village, the close-ups of the characters shown, the geographies touched upon, all are truly something to marvel at. The music by GV Prakash is outstanding to say the least. From the title card to the last frame, he elevates the film through its thick and thin. The film's editing is a really complex one, from shifting illusions to real life episodes to giving the combat sequences a new flavour, the cuts and transitions convey the story beautifully.

WRITING AND TREATMENT:

Ranjith has daringly made an experiment of blending genres at different ends. The film deals with themes like adventure, magic realism, sorceress stuff and of course, the director's forte of social commentary. But what he has missed out this time, is to make a cohesive screenplay out of these. The film's rather simple story of a gold retrieving journey with some social issues touched upon is spiced up by the fantasy angle but the film doesn't put it through its full potential, not for the fact that it really puts the film in an interesting position.

The film also feels emotionally distant because of the one dimensional character writing, sparing Vikram and Malavika, and the visible lack of clarity in the dialogues spoken. The unique and eccentric dialect used is commendable, but it borders on being completely not understandable to just hear it for the dialogues' sake.

The film, at moments, feels confusing due to the bombarding of information and scenes thrown at us. Ranjith should be lauded for incorporating his ideologies and voice in a rather unique film in his career but the emotions or the rage we felt in his previous works, is not evoked here.

VERDICT:

To complete it, Thangalaan is a triumph in terms of technicalities and performances but falls a few steps short of a classic.






Comments

Popular posts from this blog

'Dragon' Review: An immensely enjoyable entertainer on morality, through Ashwath's smartness, with shortcomings.

In his sophomore directorial, Ashwath Marimuthu follows up his well written debut film Oh My Kadavule, with another terrifically penned and executed Dragon. The smartness did not just lie in the film, but also in the way it garnered the empty excitement around it. Ashwath Marimuthu, just like his first attempt takes his own sweet time to set things up, rig up the moments to blast out later and his writing surprises us in so many ways. He clearly gets the pulse of using trends, internet people, makes them meaningful and gives it a presence through his writing. The execution does falter at many places in the first half, owing to the surface level flow of scenes, but...with all the needed set-ups.  Dragon does stutter in its initial portions. For a film that's almost an anti-thesis to whatever it used for its projection, the film does make fun of the borderline worst actions of its protagonist. The initial choices made in these portions are a bit questionable for the terri...

'Vidaamuyarchi' Review: A solid genre film that lacks the palpable tension for a thriller.

True blue genre films are a rare commodity in our industry and big stars headlining such films are once in a blue moon. Vidamuyarchi, adapted from the Hollywood film 'Breakdown' attempts to walk this thin line and partially succeeds in the process. Magizh Thirumeni does a tremendous job in trimming down the fat out of a big star vehicle and in showcasing the star as a vulnerable protagonist rather than the supposed big hero. Ajith is vulnerable, he gets beaten up, he gets tricked, his anger feels quite palpable and it's such a refreshing choice to build the protagonist character in such ways. The idea to treat his character in a much more subtle manner allows for more palpable tension. The tension building in the first half is done well, with a slow burn approach that works in the film's favour. The geography of the film is beautifully handled, with the wide shots of the vast expanse areas, creating a sense of endless mystery. The visual treatment of the fil...

'Kanguva' Review: Aims to be technically sound, ends up technically - loud.

Imagine having a fascinatingly novel plot involving the Roman Empire attempting to create rifts amongst a five-clan community in a mountain, with each clan having unique characteristics, professions, costumes- yet a magnanimously mounted epic treads on a familiar tale of re-incarnation, ending up doing justice to none. That is Kanguva.  Expecting larger than life elements and huge spectacle treatment is certainly not a bad thing, but there are certain facets to it, demanding some sort of nuance. Kanguva seems to have misunderstood this aspect in its epic attempt and hammers these sensibilities to all possible corners. From all Siva films, it is safe to say that one doesn't arrive to his films, expecting subtle emotions and underplayed moments and it's not completely wrong. With Kanguva, Dir.Siva attempts to broaden his canvas and experiment with genre-types and in his pursuit to integrate his trademark emotions to this narrative, Kanguva terribly misses out on creat...